What I did for love

Suddenly my feed shimmers with 50th anniversary tributes to A Chorus Line and I find myself overcome with sobs. The past wraps itself around me and I stand in the breakfast room of my mother’s home, begging with her. I am eight; I am ten; I am twelve. The argument repeats itself. I beg. She shakes her head. I cry. She turns away.

I cannot remember the first moment that I wanted to be a dancer but I can remember the hours that I spent in the sunroom leaping across the floor. Each time, I ended in a heap near the sliding door closet and one of my brothers laughed. When Mother got home from work she would find me huddled on my bed, face jammed into the pillow. I might have cried myself to sleep in a calmer household. Most often, I would be clutching the book about dancers that she had given me, stories of Maria Tallchief and Isadora Duncan. The ink on the pages smeared beneath my tears. Eventually, Mother convinced me that crippled girls could not be ballerinas and I stopped talking about my dream.

I sat in front of the computer tonight watching clip after clip of the flash mob in Lincoln Center performing One and What I did for Love. I remembered my vinyl copy of the Broadway show. I played it so many times that the cardboard wore thin and the album would slip through the outer edge onto the rug if I didn’t take care. I closed my eyes and sang with her, the young woman who did not regret what she did for love. Eventually that number became an anthem for every mistake I made along the way. Fifty years later, I will still sing the damn song to myself, in the shower or as I drive away from any failed encounter.

Overhead, birds softly serenade the breeze the cools them and the last light of the day’s sun that has warmed us all. Behind the trellis walls that my friend Michelle built for me, I sit among the succulents and the bougainvillea. I should be straightening the clutter beneath my laundry unit, the chore I had assigned for the evening. Instead I find myself playing version after version of the anniversary flash mob, taken from various cell phone vantage points in the brightness of a New York summer day. I strain to remember if I ever saw a stage production. Certainly I watched the movie, first in a theatre and many times on tape, at home, in one apartment or another, usually after a particularly nasty break-up — though come to think of it, weren’t they all?

If my life had a soundtrack, it would include songs from the musicals to which my mother introduced me. From Carnival‘s “Who Can I Be?” to “Who Can I Turn To?” from The Roar of the Greasepaint. But none encapsulates the roller coaster of longing and emotion that marred my six decades like the bittersweet and sometimes glorious tunes from the heart-wrenching tale of young people trying to make it on Broadway. My mother was right to steer me instead to academic pursuits. She could not have known that nothing would ever take the place of my unending desire to stand in the wings, wearing tights and silk toe shoes, waiting for my cue.

Mugwumpishly tendered,

Corinne Corley

The Missouri Mugwump®

My younger self, dreaming in Colorado. 05 September 2015.

Contemplating sunlight

The late morning sky spans overhead. White tendrils trail across the pale blue. I close my eyes and feel my chest rise and fall with each ragged breath. Saturday spans empty and quiet around me, the stillness broken from time to time by a passing car or a suddenly loud note on the speaker outside the shop. I change the song when discordant chords might disturb the neighbors who live over my shop.

I don’t recognize most of the songs playing on the bland channel that I’ve selected. I designed it to draw attention to the business but not offend anyone. As a consequence, the melodies frequently succumb to the noise of a truck on Main Street. The voices rise and fall with little flair. Once in a while, I desperately switch to something with pizzazz and wait to see if anyone notices.

Yesterday my friend Michelle and I drove to nearby Flag City to find good Indian food. We sat in a new cafe that occupies a storefront adjacent to the Starbucks drive-through lane of a little strip mall. Flag City has the best gas prices, a MacDonald’s, a dead Burger King that looks to be reinventing itself as some other chain, and a cluster of businesses. Halfway between Rio Vista and Lodi, its main purposes seems to be as refueling for semis headed to LA via Highway 5.

I ordered pakora and aloo gobi. The aroma took me back to the old Chai Shai just down from my traditional house in Kansas City. Homesickness overwhelmed me as I spooned perfectly cooked rice onto my plate beside the steaming potato dish. For the thousandth time I try to remember why I thought this adventure made sense. When I meet people, they ask why I moved to California. I demure.

The Pacific Ocean drew me, I do not say. I used to speak of my love for the ocean’s song. Every month saw me parked in a lay-by staring at the sea. Now my seven-day span includes three days behind the helm of the dream that I manifested here in Isleton and I do not yet see the fair trade. But I surround myself each weekend with beautiful, sometimes provocative art, and something must be said for the pleasure of that.

I took Michelle home to Isleton after our dinner, driving back into her property amongst the rusty John Deeres and the bits and bobs of a farming life. Wind ruffled the tall grasses in the neighbor’s meadow. As I turned my car towards home, I glanced to my right and caught the fierce glow of a majestic sunset streaming through the clouds above the Sacramento River. A few minutes later, I pulled to the side of the road, first right outside of the town of Isleton, and then on the Delta Loop where I keep my house. I rolled down my window and held my phone outside, angling its lens westward at the ball of fire on the far horizon.

One of the weirdest parts of a wild personal transformation in your sixties involves the human phenomenon of adolescence. In 2017, I began the process of divesting myself of a life that I had spent three decades building. I started the phase-out of my law practice, sold my house, traded my mother-in-law’s Prius for RAV4, bargained a bunch of cash on a tiny house, and headed west. As I sat in the open gateway of a vineyard near the confluence of the San Joaquin and the Sacramento watching the blazing descent of the sun, I could not prevent myself from questioning the last seven years. I’m feeling my teenage years as a revolution. I have no idea what might come next. The crash-and-burn could rival the evening’s glorious sunset, or I could rise from the nourishing soil of the California Delta in a graceful sweep of gold like the eastern light of a cloudless summer morning.

Mugwumpishly tendered,

Corinne Corley

The Missouri Mugwump®

Ten toes

The merest of gestures can shatter self-respect. A hand raised against comment; a slight shake of the head. A sardonic grin. Your voice falls on resistant ears. You tell yourself in turns that you deserve better and that you deserve much worse. Your greedy heart wrestles with a crushed soul that huddles in the unlit corner.

Before I moved to California, I got a pedicure every other week at a salon near my home. I can’t recall the name of the technician who provided this service for me but the same woman waited on me every time because I had a regular appointment. Getting this done did not feed my vanity. My particular mobility challenge inhibits certain acts of self-care; I understand how important one’s feet can be to heart-health, but I also acknowledge that a pedicure provides a certain sense of satisfaction.

Within weeks after I moved, I realized that I would have to find a new salon. Although I could count on being home a few times during that first year, once I finished my cases, I would have no need for frequent visits. With the trepidation of one who firmly believes in her unworthiness for such luxuries, I booked an appointment in Lodi and presented myself for scrutiny.

It did not go well.

The lady bent over my feet and exclaimed in unbridled tones that she did not wish to work on a crippled person. In truth, my ten toes have a few knots and gnarls, mostly the unfortunate result of a spastic gait and hard, unyielding shoes. As I struggled to get out of the chair, a woman approached the area and tried to intervene. Eventually, I let myself be persuaded to stay and the nail tech decided to do the pedicure.

Needless to say, I never returned. I tried another place in town to similar ends, although the woman bending over me took my feet in hand to treat without much fanfare. She voiced her complaints in obvious disgust but in a language that I could not understand and over her shoulders to a co-worker, gesturing to her basin and my offending digits. I never went back there, either. I have spent the intervening years tending to my own feet as well as possible, given my limitations. As for my spirit, it seeks other means of solace.

This week, I have come to St. Louis to see family. Yesterday my son spent several hours helping my sister, and I chose to find a nail salon at which to treat myself to a little pampering. The woman to whom I had been assigned gently lifted my feet into the tub of warm and bubbling water. She smiled and nodded, seemingly not versant in my native tongue just as I had no knowledge of hers. For the next hour, that woman — whose name I never learned — restored both my feet and a small but crucial corner of my psyche. She smiled, and nodded, and even gently drew my socks over my ten toes when the pale pink polish had dried.

As I sat outside waiting for my son, I closed my eyes and let the warm rays of the afternoon light kiss the fragile skin across my aging cheek bones. Later, my son, my sister, our friend Penny, and I shared a meal at a nearby pub. On the way home, I glanced westward, at the blazing sunset. I wiggled my toes inside my shoes, and felt a slight stirring of contentment. It cannot last; it doesn’t stand a chance against the onslaught of trouble in my small corner of the even more chaotic world. But in that moment I could savor its deliciousness, and so I did, all the way home to our Airbnb.

Mugwumpishly tendered,

Corinne Corley

The Missouri Mugwump®

You might notice a vague shimmer in the center of the sunset. I edited out a roof-top on a building in the bottom of the original photo. The image is otherwise unchanged from how my cell phone saw it last evening.

A Love Letter to My Former Self

As I sit at the pull-out writing desk of my mother-in-law’s secretary, I chance to look at the transom window over the front door of my tiny house. While some days might find me gasping at what I see, on this day I cannot suppress a short but sweet laugh.

Cobwebs cling to the decor pieces that have sat on the sill of that small window for the last seven years, through a half-dozen earthquakes, including one with a nearby epi-center. I’ve climbed a ladder many times to run a duster along those objects, but not recently. I do not mind the wisps. Dust particles cling to an industrious spider’s gossamer strands, the whole of it fluttering in the air stirred by the ceiling fan. If I crane my neck backwards to peer a dozen feet overhead, I will see inches of dust on the moving blades. Had I not removed the plastic shade that once covered the bulbs, it, would sport the accumulated dirt which haunts my busy life.

The pretty objects in that window predate my life here. Two pottery bowls belonged to the mother-in-law at whose secretary I sit. I remember walking through her house just before its sale, a few months after her husband followed her in death. Everything of significant monetary or familial value had already been claimed by my soon-to-be-ex-husband and his sister. What they had left spoke to me of Jay and Joanna as I had known them. The German beer tankard I gave my father-in-law for his birthday; the little silver cross on a delicate chain came from me to Joanna on her birthday. I gave her twin sister a matching crucifix. I lifted Joanna’s from the little box in which she kept it and felt rising tears. I held them back.

Tall crystal vases beside each bowl remind me of my own mother. In truth, I think one might have been a wedding gift to me and my second husband, but for certain, I took the other from my parents’ home after my father died. In the week that my siblings and I spent clearing that house of the collected memories of the forty years of our family’s occupation, I touched china, silver, wood, and cloth. I took one piece of furniture: my mother’s vanity. Months later, someone broke into my little brother’s storage unit and took it, along with half of her china set and a couple of boxes that I never inventoried.

Of my haul from the clear-out, I still possess a handful of things: That vase; my father’s oldest hammer and little pry-bar; the yellow pitcher that stood at my mother’s bedside for her agonizing last months. Anything else fell by the wayside at the time of my westward decampment. I gave a lot to my son and nieces; I think the woman who staffed the front desk at my law firm still has a few swiftly packed crates in her basement. You would think that I might take better care of that which remains.

The four small jars in the center of the group most keenly touch my heart. My son, his best friend Chris Taggart, and our two foster children Mikey and Jacob filled those jars with colored sand at the Renaissance Festival twenty-six years ago. We hauled Jacob around the muddy paths in a stroller, the three older boys scampering in front, darting in and out among the delightful mix of hale and hardy swordsmen, lusty maidens, and blue-jeaned visitors. Mikey kept turning back to check on his brother, to make sure that I had not disappeared, to test his boundaries. I gestured him forward while Patrick and Chris reached for his hands and moved him along the path, flanking him with the tender protectiveness that only small children can portray.

A lifetime later, the day has sucked most of my energy. I work hard; I push myself; and I have too many self-imposed responsibilities. Additionally the terrible opinions gushing forth from an institution which I once revered drag at my soul. Each new day brings another atrocity from a government that I once respected, in a country which of late I had been proud. Measured against the news of contemporary America, the dust on the jars and the grime on my window seem like the most first-worldly of problems. Inconsequential, even.

As the evening air cools my small dwelling, I compose a billet-doux to a certain young woman in her twenties contemplating the decades stretching before her. My former self, I begin. Take the other fork! Any time you have a choice between a friendly smile and a puzzled grimace, go with the grin! Pick blue jeans over pressed khakis; forswear formal for gingham; let yourself be engulfed in a bear hug and shake your head at the stiff embrace. Dance though your legs stumble; climb regardless of your weak back; read more poetry; gather more wildflowers; sit more often with your eyes closed on the edge of a cliff. Any cliff. Walk in fast-running streams.

But then memories spill from those dark corners in which they have lurked, waiting to be sprung. I vividly recall wild laughter as I struggled against the current of the Meramec River, my drenched clothes clinging to my body. My older brothers forged ahead, looking back, taunting me in raucous voices. Once in a while one or the other of them would wade back, grab my shoulders, and pull me upright. At the little campsite perched on shore at a bend in the river, my mother unpacked what we would need for the night while my father built a fire. I have no recollection of anyone else, just Mark, and Kevin, and Mom, and Dad, a rare weekend when turmoil and terror stayed home while we went out into the world and met its wonder.

Perhaps I should write easier words to the girl that became this grey-haired, bent woman nearing seventy. She certainly tried to experience what she could of life’s more delicious offerings. She slept in tents and cabins. She rode across Missouri on the back of a Yamaha 150. She went nose to nose with a seething professor and challenged his ignorance of J. R. R. Tolkien. She bargained with the gods. She dared to send her writing into the unknown for anyone to judge and find wanting. She cradled one child in her arms and many others in the protective shroud of her legal prowess. She stood for love; she cried for truth; she raised her voice for justice. When life deserted her, she packed her bags and staked her claim in foreign territory where not one single soul spoke in the accent of home.

I keep a folding stepladder behind my mother-in-law’s beautiful cabinet. During my last divorce, I asked if I could retain it, even though it came into my house with my soon-departing spouse. He allowed as how I needed it more than he would, being short, and now alone with no one to reach the upper cupboards. It’s sturdy and stable; from its topmost step, I can reach that transom window and wipe away the cobwebs. By and by, I shall; but for one more night at least, I will not disturb the sleeping spider, who has likely earned her rest as much as I.

Mugwumpishly tendered,

Corinne Corley

The Missouri Mugwump®